Thursday, June 23, 2011

Active Voice vs. Passive Voice - Who Gets the Championship Belt?

 You sneak into the Grammar Arena.  It's packed full to capacity, and the spectators are screaming, waiting for their favored fighters to appear.  You wander down to ring-side where I have seats.    
"Care to join me?" I ask, patting the empty chair beside me. 
"Who's gunna win?" you wonder while sitting down. 
"Who knows?" I reply.  "But, as an avid reader I can say that a scene written in the active voice is more enjoyable."
"Why's that?" you ask.
"Because the active voice creates conflict and drives a story forward.  It keeps me turning pages late into the night.  The passive voice on the other hand is flat, uninteresting, and has no conflict."  I yawn, my jaw cracking. "The active voice is stronger than the passive because it's more direct and cuts unnecessary words.  That's especially helpful if you're writing micro or flash pieces. 
"Here." I hand you a brochure.  "It gives you a bit of information on today's fighters."


Active voice – When the subject is causing the action.  
Passive voice – When the subject receives the action expressed by the verb.  
            Examples:
1.     Jack was loved by Jane.  -passive 
      Jane loved Jack.  -active    
2.      The boat was driven by Jack.  -passive
            Jack drove the boat.  -active
3.   Dust was kicked up by the horse's hooves.  -passive
      The horse's hooves kicked up dust.  -active
4.   The barrels were stacked in the cart by John.  - passive
      John stacked the barrels in the cart.  - active

Ways to recognize the passive voice
1.       It will often include a form of the verb ‘to be.’  Examples:

The flowers were being picked by Jane.
The car had been washed by John.

*Using these verb forms does not always make a sentence passive. 
  Example:  I am understanding the concept.  – Here the subject ‘I’ is doing the action, thus       
it’s in active voice. 

2.      The sentence will include ‘by the’ after the verb.  Examples: 
Jack was bit by the dog.
Heat was thrown off by the furnace.
The gurney was pushed by a nurse.
            

Fixing the passive voice
            It’s easy.  Put the character / subject (doer of the action) up front.  Here’s the above examples in the active voice:
            Jane picked the flowers.    
            John washed the car.
            The dog bit Jack.
            The furnace threw off heat.
             A nurse pushed the gurney.

Use of the passive voice is not always wrong
Here are some times when it is better or necessary to use the passive voice:
  1. If the subject is purposefully being kept a secret / you wish to create mystery in your sentence.   When you want your reader to say, “Who did it?”  (You'll notice from the first example that politicians are fond of doing this.)
A mistake was made.
Shots were fired.

  1. Highlighting the object because it's the focus of the story.  If 'what' is stolen is more important than 'who' stole it, you would write:  

           The files were stolen by the intruder.

  1. When you wish to stress the victim of the action rather than the doer.  If it’s more important to the story  that we remember who Jane kissed, you would write:
John was kissed by Jane.



You re-fold the brochure, your brow furrowed.

"Still not sure who's gunna win?" I ask.
"It won't matter who wins.  There's bound to be a rematch."   
I nod.  "One last thing - I've read that the active voice shows the reader what is happening and the passive voice tells it.  You've heard about the 'Show vs. Tell' fight, right?"
"I have," you say, "but we can discuss that on another day.  Here comes today's fighters."

Which voice do you gravitate toward in your writing?  In your reading? 
  

Tuesday, May 10, 2011

Fantasy Subgenres

     "Write what you know." 

     We've all heard that one, right?  Well...

     I submitted four flash stories in the past three months through Duotrope, and wondered every time if I was choosing the proper subgenre category they belonged in.  Subgenres?  Isn't fantasy just fantasy?  Dream-like lands with funky beings that can fly or chant magical spells?  I mean, what the heck is Steampunk?  An 80's band with rockin' hair?  And, Dystopian?  Is that some sort of lost Tokien language? 

     I started looking up the subgenres in the drop down box.  Wow.  Was I ever behind the times.   

     If I am going to write fantasy - which I've been doing for years - then I ought to know the genre inside and out.  God forbid I write a query letter a year from now and categorize my epic fantasy novel as magic realism. 

     So, here's the list I compiled.  I hope it helps if you are even half as confused as I was. 

Epic  -  A book or series that revolves around a quest.  The first example that comes to mind is Tolkien's Lord of the Rings.  In my opinion it doesn't get any better than that.

High  -  Set in parallel worlds wth magical creatures or elements.  Robert Jordan's Wheel of Time series is by far my favorite, although Goodkind's Sword of Truth series runs a close second.  These stories are oftentimes limited to one character's viewpoint ie  R.A. Salvatore's The Legend of Drizzt. 

Sword & Sorcery  -  This genre focuses more on personal battles than world endangering matters like Robert E. Howard's Conan the Barbarian stories.

Heroic  -  Tales of heros in imaginary lands that tend to have intricate plots involving many people, nations, and lands.  HBO's A Game of Thrones has brought George RR Martin's heroic series to life.

Dark  -  I found two different explanations for this one.  First, supernatural horror - told from a monster's viewpoint ie Anne Rice's The Vampire Chronicles.  Second, it could be a story that has is anti-heroic or has a protag with no clear morals.

Magic Realism  -  A story where magical elements are depicted as normal or reliable occurrences / presents the fantastic as mundane instead of with a sense of wonder.  The films Being John Malkovich and Edward Scissorhands are excellent examples.

Urban Fantasy  -  Takes place in an urban setting and has aspects of fantasy, ie Neil Gaiman's Neverwhere and Cynthia Hand's Unearthly.

Contemporary  -  Modern fantasy set in real-world, present-day with magic or magical creatures leaking into it, like Jim Butcher's The Dresden Files.

Dystopian  -  A futuristic setting where society has degraded and lives repressed in a controlled state, charactereized by authoritarian or totalitarian governments.  Remember Lord of the Flies by William Golding or The Running Man by Stephen King?

Steampunk  -  A re-imagined past in which modern technology developed earlier in history.  Moore & O'Neill's The League of Extraordinary Gentlemen, or the film Wild Wild West are great examples.

Paranormal Romance  -  A romance with fantasy elements - usually has a modern setting involving humans or other fantasy species.  Need I say Twilight?  We have Stephanie Meyer to thank for this media craze.

Low  -  Typically takes place in real world settings with less emphasis on the fantasy element, ie Stephen King's The Green Mile.

Historical  -  Generally takes place before the 20th century with contrived plots based loosly on historical events, mythology, or legends.  Think Susanne Clarke's Jonathan Strange & Mr. Norrell.

Comic  -  Fantasy stories primarily humorous in intent and tone.

Medieval  -  A medieval era high fantasy, not necessarily in a real world setting, ieTerry Brooks' Shannara Series.


     Many of these overlap - some have subgenre after subgenre.  What is your favorite to read and write?  And have I missed any? 

Tuesday, April 12, 2011

Monday's (one day late) goals for the week

Ah Tuesday.  So much better than Monday.  I didn't accomplish a whole lot last week, but this happens.  Especially in spring.  Here's the goals for this week:

1.  Hear back from the 2 flash pieces I have submitted.
2.  Get at least 2 chapters done on the short story I started last week. 

That's it.
Happy writing.

My 2nd publication is online!

"An Infinite Snare"

http://larksfictionmagazine.blogspot.com/